Clouds Of Sils Maria Trailer Deutsch
| Clouds of Sils Maria | |
|---|---|
 French theatrical release poster | |
| Directed past | Olivier Assayas |
| Written by | Olivier Assayas |
| Produced by | Charles Gillibert |
| Starring |
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| Cinematography | Yorick Le Saux |
| Edited past | Marion Monnier |
| Production |
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| Distributed by |
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| Release dates |
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| Running fourth dimension | 123 minutes[2] |
| Countries |
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| Linguistic communication | English[3] [4] |
| Budget | €5.1 1000000[5] |
| Box office | $iv.seven one thousand thousand[half-dozen] |
Clouds of Sils Maria (known simply as Sils Maria in some territories) is a 2014 psychological drama film[7] written and directed past Olivier Assayas, and starring Juliette Binoche, Kristen Stewart, and Chloë Grace Moretz. The picture is a French-High german-Swiss co-production.[viii] Primary photography took place from August to Oct 2013, with about of the filming taking identify in Sils Maria, Switzerland. The film follows an established middle-aged actress (Binoche) who is cast as the older lover in a romantic lesbian drama reverse an upstart young starlet (Moretz). She is overcome with personal insecurities and professional person jealousies—all while sexual tension simmers between her and her personal banana (Stewart). The screenplay was written with Binoche in mind and incorporates elements from her life into the plot.[9]
Clouds of Sils Maria was selected to compete for the Palme d'Or in the main contest section at the 2014 Cannes Pic Festival on 23 May 2014, and also screened at the Toronto International Film Festival and New York Film Festival. The film received positive reviews, with critics lauding the work as psychologically circuitous and praising the atomic number 82 actresses' performances. Information technology won the Louis Delluc Prize for All-time Film in December 2014, and received six César Honour nominations. Stewart received the César Award for Best Supporting Extra in February 2015, the first time an American won the award.
Plot [edit]
Maria Enders is an international film and phase actress. She travels with a loyal and young American assistant, Valentine. Twenty years before, Maria got her big break when she was bandage and successfully performed as a young girl Sigrid in both the play and film versions of Maloja Snake past Wilhelm Melchior, a Swiss playwright who is now elderly. The play centers on the tempestuous human relationship between Sigrid and Helena, a vulnerable older adult female. Helena commits suicide after Sigrid takes advantage of her and dumps her.
While traveling to Zürich to have an honor on behalf of Wilhelm, and planning to visit him at home the following mean solar day at his house in Sils Maria—a remote settlement in the Alps—Maria learns of his death. His widow Rosa later confides that Wilhelm had ended his life and had been terminally sick. During the awards ceremony, Maria is approached by Klaus Diesterweg, a pop theater director. He wants to persuade her to appear onstage in Maloja Snake once again, only this fourth dimension in the function of Helena.
Maria is torn and reluctantly accepts. To prepare for the role, she accepts Rosa's offer to stay at the Melchiors' business firm in Sils Maria. Rosa is leaving to escape her memories of Wilhelm. Maria'southward discussions with Valentine and their read-throughs of the play's scenes evoke dubiousness about the nature of their human relationship. A immature American extra, 19-year-old Jo-Ann Ellis, has been called to portray the office of Sigrid. Researching her on Google and the Cyberspace, Valentine tells Maria, who is out of touch with social media, that Ellis has been involved in numerous scandals.
Questions shortly multiply regarding aging, time, culture and the blurring line between the Sigrid/Helena and the Valentine/Maria relationships. Maria and Jo-Ann finally run into, but their relationship is complicated. Jo-Ann appears to be implicated in the attempted suicide of the married woman of her new boyfriend.
During their time at Sils Maria, Maria and Valentine spend much of their days hiking in the Alps. On one such last outing, they hike to the Maloja Pass to observe the Maloja Ophidian (both the "Maloja Snake" of the play'southward title and the "Clouds of Sils Maria" in the film'due south title). When discussing the play'southward ending, in which Helena walks into the mountains never to return, Valentine suggests that Helena can still be live and walk abroad to starting time a new life. Maria protests that Helena must be expressionless because she doesn't return. After suggesting that their approaches to the play are besides different for her (Valentine) to be a useful assistant, Valentine disappears without explanation.
A few weeks later, a young filmmaker who has previously sent a script to Maria visits her by appointment 5 minutes before the curtain rises on the opening night of Maloja Snake in London. Maria seems preoccupied, being so close to the start of the performance, and dismisses his suggested ideas about the proposed film role he is offering her every bit "too abstruse for me". When she says the role he has written is too young for her and would suit Jo-Ann better, he suggests that the graphic symbol is ageless and that he does not relate to his era with its Internet scandals and trashy values. Maria does not requite him a respond as to whether she volition have part in the film. She then appears onstage, smoking and waiting for Sigrid.
Cast [edit]
- Juliette Binoche as Maria Enders
- Kristen Stewart as Valentine
- Chloë Grace Moretz as Jo-Ann Ellis
- Johnny Flynn equally Christopher Giles
- Lars Eidinger as Klaus Diesterweg
- Hanns Zischler as Henryk Wald[ten]
- Brady Corbet as Piers Roaldson
- Aljoscha Stadelmann as Urs Kobler
- Benoit Peverelli as Berndt
- Luise Berndt as Nelly
- Angela Winkler every bit Rosa Melchior
- Gilles Tschudi as Mayor of Zürich
- Caroline de Maigret as Chanel Press Attache
- Claire Tran as Maria's London Assistant (Mei-Ling)
- Jakob Kohn as Jo-Ann's manager
Production [edit]
Main photography of Clouds of Sils Maria began on 22 August 2013 and concluded on 4 October.[11] The moving picture was shot on location in the titular village of Sils Maria, Switzerland also equally Zürich; Leipzig, Frg; and S Tyrol, Italy.
In an interview, Assayas said that all the film's interiors were shot in Federal republic of germany. The production moved to Sils Maria to film the hiking scenes, and moved over again to motion-picture show the scenes in and around the chalet in Due south Tyrol.[12]
The Chanel company debuted in motion-picture show financing with this production. In addition information technology supplied the actresses with wearing apparel, jewelry, accessories, and makeup, and the brand was scripted in every bit a provider of the same to Maria. Chanel provided some of the upkeep to allow Olivier Assayas to fulfill his dream of shooting a film on 35-mm movie instead of digitally.[13]
Assayas has described the fictional play Maloja Snake as a "condensed, brutalized version" of The Bitter Tears of Petra von Kant, a play by Rainer Werner Fassbinder (it was later adapted as a flick of the same name).[xiv]
The American title of the film is Clouds of Sils Maria. In French republic the motion-picture show was released as Sils Maria, Assayas' original proper noun.
Release [edit]
Marketing [edit]
The kickoff trailer for the film was released on 22 May 2014.[xv] Another international trailer followed on 7 July.[xvi]
Motion picture festivals [edit]
The moving-picture show was selected to compete for the Palme d'Or in the main contest section at the 2014 Cannes Film Festival on 23 May 2014.[17] It also screened at the Toronto International Moving-picture show Festival and New York Film Festival.[18] [19]
Reception [edit]
Critical response [edit]
On review aggregator Rotten Tomatoes, 91% of 179 critics have given the film a positive review, with an average rating of 7.vi/ten. The website'due south critics consensus reads: "Bolstered by a trio of powerful performances from its talented leads, Clouds of Sils Maria is an absorbing, richly detailed drama with impressive depth and intelligence."[20] On Metacritic, the motion-picture show has a weighted average score of 79 out of 100, based on 41 reviews from critics, indicating "generally favorable reviews".[21]
Clouds of Sils Maria premiered at the Cannes Film Festival to positive reviews. Robbie Collin of The Daily Telegraph stated, "This is a complex, bewitching and melancholy drama, another fearlessly intelligent motion-picture show from Assayas." He said, "Binoche plays the role with elegance and melancholic wit – her character slips between fiction and fact in a mode that recalls her role in Abbas Kiarostami's Certified Copy. But information technology's Stewart who really shines here. Valentine is probably her best role to appointment: she's sharp and subtle, knowable and then all of a sudden afar, and a late, surprising twist is handled with a bright lightness of touch."[22]
Peter Debruge of Variety said information technology was Assayas' "daring rejoinder, a multi-layered, femme-driven meta-fiction that pushes all involved—including next-gen starlets Kristen Stewart and Chloë Grace Moretz — to new heights."[23] Matt Risley of Total Picture show called information technology "an elegant, intelligent drama, enlivened past strong performances by Binoche, Moretz and especially Stewart, for whom this volition surely usher in a new dawn."[24]
Stephanie Zacharek of The Village Voice wrote: "Simply the movie'southward truthful center, the meteorological phenomenon that makes information technology so pleasurable to watch, is the half-prickly, half-appreciating coaction between Binoche and Stewart."[25] Ben Sachs of Chicago Reader wrote: "This recalls Ingmar Bergman's chamber dramas in the intensity and psychological complexity of the central relationship, yet the filmmaking is breathtakingly fluid, evoking a sense of romantic abandon."[26]
Nevertheless, Kyle Smith of the New York Mail service writes: "A backstage drama that has all the sizzle of a glass of h2o resting on the windowsill, [...] Clouds of Sils Maria mistakes lack of dramatic imagination for smoldering subtlety."[27] Richard Brody from The New Yorker writes: "Clouds of Sils Maria, every bit the title suggests, is a sort of travelogue, a commercial for European cultural tourism, and, as such, it's the perfect image of the very system that created information technology. There'south almost no contained filmmaking in France, and there isn't supposed to be. If at that place were, it would stand equally a threat to the system that, by fashion of training, enticements, and restrictions, is the source of the comforts that the movie depicts and that the movie reflects. The mediocrity is stifling."[28]
Box office [edit]
Clouds of Sils Maria opened in France on 20 Baronial 2014 in 150 theaters for a $3,663 per theater average and a box office total of $549,426 every bit of 24 August 2014.[29] The picture expanded to 195 theaters in its second week of release, and the box part increased to an estimated $1,150,090.
Clouds of Sils Maria opened in the United States on ten Apr 2015 in three theaters and grossed $69,729 on its opening weekend for an average of $23,243 per. As of 4 June 2015, the movie has grossed an estimated $one,743,577 after expanding theaters.[thirty] [31]
Awards and nominations [edit]
The movie won the Louis Delluc Prize for Best Film in December 2014.[32] The film received six César Award nominations including best pic, all-time director, all-time actress, best original screenplay, and all-time cinematography, while Stewart won for best supporting actress, becoming the start American actress to win a César and the third American histrion to win after Adrien Brody in 2003 and Christopher Lambert in 1985.[33] [34]
| Year | Awards | Category | Nominee | Consequence |
|---|---|---|---|---|
| 2014 | Prix Louis Delluc | All-time Film | Olivier Assayas | Won |
| Munich Movie Festival | All-time International Flick | Olivier Assayas | Nominated | |
| Lumières Award | Best Extra | Juliette Binoche | Nominated | |
| 2015 | Alliance of Women Film Journalists | Best Actress in a Supporting Role | Kristen Stewart | Won |
| César Award | Best Supporting Actress | Won | ||
| Best Extra | Juliette Binoche | Nominated | ||
| Best Original Screenplay | Olivier Assayas | Nominated | ||
| Best Director | Olivier Assayas | Nominated | ||
| Best Film | Charles Gillibert & Olivier Assayas | Nominated | ||
| Best Cinematography | Yorick Le Saux | Nominated | ||
| New York Film Critics Circle | Best Supporting Actress | Kristen Stewart | Won | |
| National Society of Film Critics | Best Supporting Actress | Won | ||
| Boston Gild of Picture Critics | Best Supporting Actress | Won | ||
| Los Angeles Film Critics Clan Awards | All-time Supporting Actress | Runner-upwardly | ||
| Online Picture Critics Club | Best Supporting Actress | Nominated | ||
| Detroit Film Critics Society | All-time Supporting Actress | Nominated | ||
| San Diego Film Critics Lodge | Best Supporting Extra | Runner-upwardly | ||
| St. Louis Gateway Film Critics Association | Best Supporting Actress | Runner-up | ||
| Best Original Screenplay | Olivier Assayas | Nominated | ||
| Austin Moving picture Critics Association | All-time Supporting Actress | Kristen Stewart | Nominated | |
| Chicago Moving picture Critics Association | Best Supporting Actress | Nominated | ||
| Florida Pic Critics Circle | Best Supporting Actress | Won | ||
| Toronto Motion picture Critics Clan | Best Supporting Actress | Runner-up | ||
| London Film Critics Circle | Supporting Actress of the Twelvemonth | Nominated |
Soundtrack [edit]
- "Kowalski" by Primal Scream
- "Largo de Xerxes" – Georg Friedrich Handel
- "Catechism and Gigue in D Major for 3 Violins and Basso Continuo" – Johann Pachelbel
- "Paavin of Albarti (Alberti)" – Innocentio Alberti (performed by Hesperion XXI)
- "Sonata No. 2 in D Small-scale" – Georg Friedrich Handel
- "Sonata No. ii in B-Flat Major for Violin and Harp, Op. 16: Two. Adagio" - Louis Spohr
- "Trio for Violin, Cello and Harp in E minor: Three. Rondo" - Louis Spohr
Home media [edit]
The film was released on DVD and Digital Hd by Paramount Home Media on July 14, 2015; the company also handles the digital entertainment sales, with IFC handling the video on demand sales.[35]
The Criterion Collection released a DVD and Blu-ray edition on 28 June 2016.[36]
References [edit]
- ^ Keslassy, Elsa (16 May 2013). "Charles Gillibert Launches CG Cinema (Exclusive)". Diverseness . Retrieved 26 Oct 2013.
- ^ "CLOUDS OF SILS MARIA (15)". British Board of Film Nomenclature. eight April 2015. Retrieved viii April 2015.
- ^ McCarthy, Todd (23 May 2014). "'Clouds of Sils Maria': Cannes Review". The Hollywood Reporter . Retrieved xviii Nov 2016.
...Olivier Assayas' English-linguistic communication character study...
- ^ Lodge, Guy (28 April 2014). "Cannes Check 2014: Olivier Assayas' 'Clouds of Sils Maria' with Kristen Stewart". HitFix . Retrieved 18 November 2016.
Assayas, several of whose films have been multilingual, returns to the English language with this German language-French-Swiss co-product.
- ^ Lemercier, Fabien (seven August 2014). "Charles Gillibert • Producer". Cineuropa . Retrieved 6 Apr 2018.
- ^ "Clouds of Sils Maria (2015) - International Box Function Results". Box Office Mojo . Retrieved 6 April 2018.
- ^ Muir, Kate. "Clouds of Sils Maria". ISSN 0140-0460. Retrieved eight September 2021.
- ^ Blaney, Martin (17 Dec 2013). "German-French fund backs Pitts, Sokurov". Screen Daily . Retrieved 17 December 2013.
- ^ Goss, Terry (28 September 2015). "From Ingenue To Antigone: Juliette Binoche Discusses Acting, Aging And Family". Fresh Air. NPR. Retrieved 14 March 2016.
- ^ Jagernauth, Kevin (20 Baronial 2013). "Daniel Bruhl, Bruno Ganz & More Join Olivier Assayas' 'Sils Maria' With Juliette Binoche, Chloe Moretz & Kristen Stewart". IndieWire. Archived from the original on 5 Nov 2013. Retrieved 6 April 2018.
- ^ "Clouds of Sils Maria (2013-2014)". Coiffure United. Archived from the original on 21 December 2012. Retrieved 6 April 2018.
- ^ Hendrickson, Kim (producer) (April 2015). Across Fourth dimension: Olivier Assayas on Clouds of Sils Maria [DVD extra included in Benchmark Collection release of Clouds of Sils Maria] (DVD). Criterion Drove. Consequence occurs at 25:25.
- ^ Diderich, Joelie (23 May 2014). "Chanel Finances Movie Debuting in Cannes". Women'southward Wear Daily . Retrieved half dozen April 2018.
- ^ Whitney, Due east. Oliver (9 October 2014). "Kristen Stewart Addresses The Irony Of 'Clouds Of Sils Maria'". HuffPost . Retrieved 18 November 2016.
- ^ Bramlett, Matthew (22 May 2014). "Kristen Stewart Assists an Insecure Juliette Binoche in 'Clouds of Sils Maria' Debut Trailer (Video)". TheWrap . Retrieved 5 June 2014.
- ^ Anderton, Ethan (seven July 2014). "Kristen Stewart in New International 'Clouds of Sils Maria' Trailer". Beginning Showing . Retrieved 8 July 2014.
- ^ "2014 Official Selection". Cannes Picture Festival. Archived from the original on nineteen April 2014. Retrieved 17 April 2014.
- ^ Raup, Jordan (12 August 2014). "TIFF 'fourteen Adds 'Clouds of Sils Maria,' '2 Days, One Night,' 'The Cobbler,' 'Paradise Lost,' and More than". The Motion picture Stage . Retrieved 6 Apr 2018.
- ^ "Cronenberg, Godard in New York Film Fest Lineup". The Washington Times. Associated Press. Retrieved 13 August 2014.
- ^ "Clouds of Sils Maria (2015)". Rotten Tomatoes . Retrieved thirteen December 2021.
- ^ "Clouds of Sils Maria Reviews". Metacritic . Retrieved 13 December 2021.
- ^ Collin, Robbie (23 May 2014). "Clouds of Sils Maria, review: 'bewitching'". The Daily Telegraph . Retrieved 16 June 2014.
- ^ Debruge, Peter (23 May 2014). "Cannes Pic Review: 'Clouds of Sils Maria'". Variety . Retrieved 16 June 2014.
- ^ Risley, Matt (xvi June 2014). "Cannes 2014: Clouds of Sils Maria reaction review". GamesRadar+ . Retrieved 6 Apr 2018.
- ^ Zacharek, Stephanie (8 April 2015). "In Clouds of Sils Maria Olivier Assayas Pits Juliette Binoche Against Time Itself". The Village Voice. Archived from the original on eleven May 2015. Retrieved viii April 2015.
- ^ Sachs, Ben. "Clouds of Sils Maria". Chicago Reader. Archived from the original on 14 Apr 2015.
- ^ Smith, Kyle (8 April 2015). "Juliette Binoche tin can't save 'Clouds of Sils Maria' from beingness dramatically gray". New York Post . Retrieved 6 April 2018.
- ^ Brody, Richard (sixteen April 2015). "The Enemy of Youth". The New Yorker . Retrieved six April 2018.
- ^ "France Box Role: Baronial 20–24, 2014". Box Office Mojo . Retrieved 6 April 2018.
- ^ "Clouds of Sils Maria (2015) - Weekend Box Part Results". Box Office Mojo . Retrieved half-dozen April 2018.
- ^ Lang, Brent (12 April 2015). "Box Office: 'Furious 7' Dominates Competition With $60.6 Million". Variety . Retrieved 6 April 2018.
- ^ Richford, Rhonda (15 Dec 2014). "'Sils Maria' Wins France'south Louis Delluc Critics' Prize". The Hollywood Reporter . Retrieved xvi December 2014.
- ^ Richford, Rhonda; Szalai, Georg (28 January 2015). "Juliette Binoche, Marion Cotillard, Kristen Stewart Among France's Cesar Awards Nominees". The Hollywood Reporter . Retrieved 20 Baronial 2015.
- ^ Tartaglione, Nancy (20 Feb 2015). "César Awards: 'Timbuktu' Best Film; Kristen Stewart In Historic Supporting Actress Win". Deadline Hollywood . Retrieved 20 Baronial 2015.
- ^ McNary, Dave (28 May 2015). "Paramount Takes Dwelling Media on Four IFC Releases". Variety . Retrieved vi April 2018.
- ^ "Clouds of Sils Maria (2014)". The Benchmark Collection. Retrieved 6 April 2018.
External links [edit]
- Official website (international)
- Official website (France)
- Official website (United States)
- Clouds of Sils Maria at IMDb
- Clouds of Sils Maria at Box Office Mojo
- Clouds of Sils Maria at Rotten Tomatoes
- Clouds of Sils Maria at Metacritic
- iClouds of Sils Maria an essay by Molly Haskell at the Benchmark Drove
Source: https://en.wikipedia.org/wiki/Clouds_of_Sils_Maria
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